My Sister Grenadine lives in different places. In areas that are actually songs, she moves between silence and variety, surface and structure, noise and melody. It tells of shy volcanoes and homeless cities, of curiosity and solidarity, of combed teeth and colliding landscapes.
My Sister Grenadine play folk with joy at experiment, built from a bunch of small instruments and entwined by shimmering oscillations. Her music is a concentrated play with sound and language, near and far, arrangement and improvisation. Free folk, John Cage Pop, radical softness.