OK Kid

The second album, two fingers on the cover, two perspectives: peace or middle finger. Approval or dislike. The second, the index finger, we simply cut off. Nobody needs index fingers. Ok Kid, too. The second album Zwei is published three years after its debut, which made both the pop-intelligentsia, open-minded hip-hop heads and the visitors of their almost exclusively sold-out tours and festivals happy. It's hard to come up with an opinion in confused times like these. And once you have it, it wants to be cared for and defended. Zwei is no big city plate anymore. No complaining of diversity anymore. No pathos. No self-losing. The former class representatives of the Generation Y have graduated from Zwei, exchanging egos through the bird's eye view, and ending the emotional spin cycle of the first album by attitude and opinion. The genre-border crossing of OK Kid, always a stylistic device and a bone of contention at the same time, is carried out more consistently than ever on the new album. What's more, it is full of self-confidence, timelessness, daring, love of detail, pop, dreams of the future and power. The question of the genre? Irrelevant. Contradictions: rejected. Zwei is the album OK Kid has always wanted to write, full of musical references. Songs in the style of 4K recordings. Razor sharp details, without having to miss the big picture.

Doors: 19:00